Mozart’s Love Affair with Prague: A Musical Romance

In the late 18th century, Prague was a city pulsating with music, culture, and romance—a perfect haven for Wolfgang Amadeus Mozart, one of history’s greatest composers. While Vienna was his residence, it was Prague that truly stole his heart. The city embraced his genius with open arms, offering him adoration, inspiration, and a sense of belonging he rarely found elsewhere. So, why did Mozart love Prague so deeply? Let’s dive into the details of his visits, uncover the reasons behind his affection, and explore the eye-catching stories that make this connection so captivating.


Mozart’s First Visit: The Triumph of The Marriage of Figaro

Mozart’s love story with Prague began with an opera: The Marriage of Figaro. First performed in Vienna in 1786, it received a tepid response—critics called it overly complex. But when it reached Prague later that year, it exploded into a cultural phenomenon. The city’s newspapers gushed about its brilliance, with one declaring, “No piece has ever caused such a sensation.” The opera’s melodies echoed through Prague’s streets, hummed by everyday citizens.

This overwhelming enthusiasm prompted an extraordinary invitation: the Prague orchestra and music lovers funded Mozart’s trip to see the spectacle for himself. In January 1787, he arrived and was greeted like a rock star. During his visit, he premiered his Symphony No. 38 in D major—now known as the “Prague Symphony”—to a mesmerized audience. Mozart later wrote that this day was among the happiest of his life. Unlike Vienna’s dismissive elite, Prague celebrated his “too many notes” as pure brilliance.


The Premiere of Don Giovanni: A Masterpiece Born in Prague

The success of Figaro sparked an even greater chapter in Mozart’s Prague saga. The city commissioned him to create a new opera, and in October 1787, he returned to premiere Don Giovanni. This dark, daring work debuted at the Estates Theatre on October 29 and was an instant masterpiece. Contemporary reviews raved, “Prague has never heard the like,” cementing Mozart’s status as a local hero.

What’s fascinating is how Don Giovanni reflected Prague’s musical soul. The city was famous for its exceptional wind instrument players, and Mozart tailored the opera’s score to showcase their talent. He even slipped in a cheeky nod to his Prague fans: in the final act, the character Leporello recognizes a tune from Figaro, saying, “Now this is one I know very well.” The audience roared with delight, sharing an inside joke with their beloved composer.


Mozart’s Friends and Connections: A Home Away from Home

Prague wasn’t just a stage for Mozart’s music—it was a sanctuary of friendship. Among his closest allies were Franz Xaver and Josepha Duschek, a composer and soprano duo who welcomed him into their villa, Bertramka. This retreat offered Mozart a respite from Vienna’s pressures, and it was here that he penned works like the aria Bella mia fiamma, addio. One charming tale claims Josepha once locked Mozart in a gazebo until he finished the piece—a playful nudge from a friend who knew his genius.

Mozart also mingled with Prague’s aristocracy, including Count Thun and Count Clam-Gallas, who hosted him in their grand palaces. These bonds gave him a warmth and appreciation that Vienna’s competitive court rarely provided, making Prague feel like a true second home.


The Musical Culture of Prague: A Perfect Match for Mozart

Why did Prague adore Mozart when Vienna often overlooked him? The answer lies in the city’s extraordinary musical culture. Bohemia, the region around Prague, boasted a tradition of widespread music education—children learned to sing and play instruments as part of their schooling. This created a sophisticated audience that could grasp the intricacies of Mozart’s compositions, from his bold harmonies to his emotional depth.

While Vienna’s nobility sometimes scoffed at his “extravagant” style, Prague’s listeners embraced it wholeheartedly. Librettist Lorenzo Da Ponte noted, “The pieces which were admired least of all in other countries were regarded by [Praguers] as things divine.” This mutual understanding fueled Mozart’s love for the city—he famously said, “My Praguers understand me,” a sentiment that captures their unique connection.


Mozart’s Legacy in Prague: A Love That Endures

Though Mozart visited Prague only a few times before his death in 1791, his impact was indelible. When he passed away, the city mourned as if losing one of its own. On December 14, 1791, thousands gathered at St. Nicholas Church for a memorial service, where over 100 musicians performed a Requiem mass—free of charge—as a tribute to their hero.

Prague’s devotion didn’t end there. In 1837, it established Europe’s first Mozart memorial, now part of the National Library. The Estates Theatre still stages Don Giovanni, and festivals celebrate his music year-round. From museums to concert halls, Prague keeps Mozart’s spirit alive, a testament to a love that time can’t erase.


A Love Story for the Ages

Mozart’s affection for Prague wasn’t just about professional success—it was personal, profound, and reciprocal. The city gave him triumphs like The Marriage of Figaro 그리고 Don Giovanni, friendships that sustained him, and an audience that truly “understood” his art. In return, Mozart left behind a legacy that still resonates in Prague’s streets and theaters.

Today, as you stroll through Prague’s cobblestone lanes or hear his melodies drift from a concert hall, you can feel the echoes of this extraordinary bond. Mozart and Prague weren’t just a composer and a city—they were a musical romance, a symphony of genius and gratitude that continues to captivate the world.

 

볼프강 아마데우스 모차르트는 생애 동안 여러 차례 프라하를 방문했으며 이 도시와 긴밀한 관계를 맺었습니다. 그러나 그는 프라하에 영구적으로 거주하지 않았습니다. 다음은 프라하에서 모차르트의 시간에 대한 정보입니다:

  1. 첫 번째 방문(1787년 1월): 모차르트가 프라하를 처음 방문한 것은 1787년 1월 프라하의 에스테이트 극장(Stavovské divadlo)에서 오페라 "돈 조반니"("돈 조반니, K. 527"로도 알려져 있음)를 지휘했을 때였습니다. 이번 방문은 큰 성공을 거두었고, <돈 조반니>는 프라하 청중들로부터 호평을 받았습니다. 모차르트는 이번 방문 동안 프라하에서 몇 주를 보냈습니다.
  2. 두 번째 방문(1787년 8월): 모차르트는 1787년 8월 그의 오페라 "La clemenza di Tito"(The Clemency of Titus)의 초연을 위해 Estates Theatre에서 프라하로 돌아왔습니다. 그러나 이 오페라는 '돈 조반니'만큼의 성공을 거두지는 못했다.
  3. 나중에 연결: 모차르트는 계속해서 프라하와 강한 유대관계를 유지했고, 그의 음악은 프라하에서 여전히 인기를 끌었습니다. 그는 Josef Mysliveček 및 Dussek 가족과 같은 프라하에 거주하는 친구 및 작곡가들과 서신을 교환했습니다. 그의 작품은 그가 죽은 후에도 프라하에서 자주 공연되었습니다.

모차르트는 프라하에 영구 거주지가 없었지만 방문하는 동안 다양한 숙소에 머물곤 했습니다. 그는 프라하에 방문하는 동안 그를 초대해 줄 친구와 추종자들이 있었습니다.

모차르트는 프라하에 장기간 거주하지 않았지만, 도시에서의 그의 시간은 그의 경력에 있어 중요한 의미를 지녔으며, 도시에서는 그를 기념하는 기념관과 박물관을 마련하여 그를 기렸습니다.

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